Monday, December 9, 2013

The dome and the Duomo complex

Kendall's posting on something we haven't talked about yet -- the Duomo (cathedral) in Florence:

The Duomo, one of the most famous sites in Florence and one of the oldest.  This view is from the first floor bell tower.
Built on top of another church, the building process was started in 1446 with one architect. (front of the cathedral)


A problem in building the church so large was discovered by the second architect, after the first one died. You see, the first architect said that the duomo would have a giant dome on top, but he did not say how he would build it. So the second architect finished the base then left the project and died.         

Enter architect three who did...not build the dome, he built the bell tower to the left.   Enter Brunelleschi who said he was going to build two domes one inside the other and it would balance the weight and then connect them with rafters and chains.  See my science project for more info.                                                          


Two domes, rafters and herringbone brick made the Duomo strong enough to support the significant expanse.

Rafter
Gorgeous paintings on the interior of the dome



View to the south


Palazzo Vecchio and Gram.


Hey I can see my house from here!  The building with the green shutters


Down the steep stairs of the domes.

Bust of Brunelleschi

 That's a lot of winches, used to lift the building materials as the domes were built.


Baptistry of Florence (view from the top of the Bell tower)


Inside the dome of the baptistry


The famous gold doors of the baptistry that Brunelleschi and Lorenzo Ghiberti fought over the design of.


The old bell tower bell that was used a long time ago.

And that concludes the tour of the duomo complex.... except for the most recent edition to the Duomo complex this holiday season.



Merry Christmas!

Looking forward to seeing you all soon.

Kendall

Thursday, December 5, 2013

Murano, and Home

Our third and final day in Venice started with our taking a vaporetto over to the nearby island of Murano


The island has been home for Venetian glass-making since 1291, when all of the glass blowers were kicked off the main island for fear of fire.


An Italian "floral arrangement" made of Venetian glass!


We wandered the streets on domenica (Sunday), and while many of the active factories were closed, there were workshops that showed glassblowing demonstrations.  We got to see a glassblower create a cavallo (horse) on the spot!


It was fun to see all the places that this particular factory shipped:  Ross-Simons, TK Maxx (the British TJ Maxx), the Smithsonian, and Tuesday Morning, among others!


We continued strolling the streets of Murano,


and found ourselves in a residential area, complete with park and a more modern "roadway"!


A glass Madonna on a street corner

A huge outdoor sculpture,
assembled from hundreds of spines!

Two rowers on opposite sides, to keep going straight!
Again, more artwork in the streets -- the kids did their best to have a shoving match and twist each other like the streetlights behind them:


Particular galleries reminded us of the work of David Chihuly, whose exhibit we had seen at Rhode Island School of Design -- and in fact, Chihuly had studied and worked at the Venini glass works in 1968 on a Fulbright!


As we walked on a little further we found an out-of-place loon (no, not Adam!):


and then it was time to take the vaporetto back to Venice, to grab our bags and head home.

On the way we stopped at Isola di San Michele, which Venice's cemetery.  (It's interesting to think about how people living on an island would bury their dead.  I later learned from reading this article that the island was decreed a cemetery in 1837, during the Austrian occupation.)  Ezra Pound is buried here, along with Igor Stravinsky!


We then saw our last "Hello, Venezia" sign with its fishy emblem of the city as we waited at the "bus stop,"


and took the vaporetto to the train station,



and bid a fond farewell.


Oh, and by the way:  Adam wrote this blog entry, and nowhere did he mention that I was on the hunt for a beautiful Murano glass necklace!  (I know, priorities, right?).  I  succeeded in the studios of Simone Cenedese.

A piu tardi!

Wednesday, December 4, 2013

Venice, Day 2: A little "Hollie"-day music, some art, and a lot of water!

Our second day in Venice began with a forecast for rain -- but that was okay!  The initial forecast has been for two days of rain, so we felt we were ahead of the game after the first beautiful day.

But while we thought we were prepared for rain, we didn't realize that Rain + Venice + December = we needed some serious galoshes!  Fortunately, the hotel was able to provide boots that fit everyone (even Adam and Joel's big feet).

We also had planned to spend the day in two of Venice's art museums, the Peggy Guggenheim collection and the Gallerie dell'Accademia.  Rain didn't matter there -- so, off to the bus stop!

Bus stop, wet day.
She's there, I say...
Please share my umbrella!

Bus come, bus go.
She stays, love grows, under my umbrella.
If you can't tell, that boat is a vaporetto (or "little steamer" for when they ran on steam!) and the box where Laura is standing is the "bus stop" -- a floating mooring for people to queue up and off of the boats.  It's not quite as scenic as a gondola, but extremely convenient once you've gotten a "bus pass."

Boats in Venice, incidentally, come in all shapes and sizes for the tasks that they perform.  The boat below, for instance, is a "garbage truck" with a mechanical arm to collect bins from collection points around the island!


So we went to the Peggy Guggenheim Collection which was another departure from what one normally sees in Italy; it's a collection of early 20th Century art collected by Guggenheim while she lived in Venice, and which she donated to the city upon her death.  It's maintained in her original home, and interspersed with the artwork are photos of how the pieces were organized in the house during the 1960's.

There were some wonderful stories as well; she owned two sets of earrings made by Alexander Calder and Yves Tanguy.  At a function she wore one of each, to demonstrate her impartiality between Surrealist and abstract art!

Again, we couldn't quite bring ourselves to take pictures when the "no pictures" sign was evident (despite others doing so), but here are two pictures of a portion of the house that adjoins the canals:


We then returned to St. Mark's in order to get a better sense of acqua alta -- the high water that marks this time of year in Venice.

In front of the campanile

Almost above the boots!
Venice's problems are threefold:  it's sinking due to compaction of the soil, the sea is rising, and lastly the tectonic plate that it sits on is "subducting" under another plate, so the island is actually tilting!



Nonetheless, we had fun -- and we hope that the MOSE System has a chance of preserving Venice for generations to come.

Oh, and Kendall continued his practice of chasing pigeons -- Italian pigeons will remember and fear him for generations to come!


Continuing with the art theme, we stopped into a couple of pavilions -- the Azerbaijani pavilion was fascinating, with wrought-iron sculptures that created images when lit or when viewed through a camera!


The one below was particularly striking since it told you where to stand and to view it through your camera in order to "flatten" the image:



Finally, we went to a special exhibition at the Accademia, where there were many drawings of Leonardo da Vinci that were rarely put on display.  We got to see "Virtruvian Man" -- and decided from his drawings that Leonardo was definitely a doodler.

 

Then another vaporetto back to Rialto,



a little hot, mulled wine to take the chill off,


and dinner at a traditional Venetian restaurant.  Squid ink pasta -- yum!

 

 

The smiling face in the plate told us we'd had another good day.



Stay tuned for Murano, glass not car!